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La importancia de las letras musicales en las percepciones y en el sentido de la identidad de los jóvenes

The importance of song lyrics in perceptions and the sense of identity of young people

Autoría:

María Gemma Sánchez González, Universidad de Extremadura, Lenguas y culturas

Resumen

Está ampliamente aceptado el hecho de que la música sea una herramienta multiusos, ya que puede satisfacer necesidades de identidad y emocionales en etapas de desarrollo de la gente joven, con un consecuente cambio en la percepción de diferentes aspectos de la vida. El objetivo de este trabajo fue medir el nivel de impacto que tienen las letras musicales en la percepción, a través de las emociones, y patrones de identidad de la gente joven. Un cuestionario basado en la escala de Likert y varias preguntas dicotómicas, respondidas por 280 estudiantes universitarios destacó el hecho de que las letras musicales influencian, en gran medida, las percepciones y afectan al sentido de la identidad.

Abstract

The fact that music can act as a multi-purpose tool is widely accepted, as it can actually address identity and emotional needs in developmental stages in young people resulting in a change of perceptions of different aspects of life. This study aimed at measuring the level of impact that song lyrics may have on perceptions, through emotions, and identity patterns. A Likert-scale-based questionnaire and several dichotomous questions responded by 280 university students, underscored that perceptions and the sense of identity were in fact highly influenced by music lyrics.

1. INTRODUCTION

It is extensively accepted that music is a form of expression and a way to produce feelings and emotions in people and can be used to change perceptions, which could actually enhance relationships and improve quality of life. Besides, song lyrics reflect social beliefs and attitudes. Considering the current crisis of values in younger generations (Sortheix et al., 2017) and the fact that music lyrics reflect moods and perceptions, music could then be an instrument to change those, through emotions, and reinforce identity patterns.

The multi-purpose value of music includes mood regulation (Saarikallio & Erkkilä, 2007) and identity formation (Bogt et al., 2010), among others, and has ability to change attitudes and build respect for the surrounding world. In a highly interconnected world, a popular activity such as music can bring positive outcomes should meaningful lyrics are properly employed.

Thus, the research question posed is: Can music lyrics positively influence perceptions and the sense of identity in young people?

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2. LITERATURE REVIEW

Music and identity in young people (MIYP)

Music is a constant factor in humans from the moment of birth. It is an entertaining activity that can provide a sense of belonging, identity and can enhance perceptions and feelings (Rentfrow & Gosling, 2003; Napier & Shamir, 2018). The close relationship between music and young people becomes the perfect scenario to regulate moods and emotions (Taruffi & Koelsch, 2014).

As claimed by Koenig et al. (2007), in general terms, music facilitates common ground for young people to share experiences and reinforce their personality, as music means expression and expression is paramount for human communication. Besides, music is a social bonding component (Nicolás & Azorín (2013) that can then materialise in positive actions and behaviour.

According to Roberts et al. (2009) the music industry is fully aware of the relevant amount of time and money young people spend on music, as it is an activity easily accessible and highly entertaining. On average, over 10,000 hours of active music is being listened to in adolescence years alone (Roberts et al., 2009). Surveys carried out around the globe confirm that listening to music is on the increase (Kokkidou & Tsakiridou, 2009), assisted by globalisation and new technological devices. On their part, Christenson and Roberts (1998) assert that themes referred to by music lyrics actually make a relevant difference for the expression of ideas and feelings, among other aspects. Some of the reasons to find music consoling and entertaining is the power it has to enhance emotions and lay ground for personal identity (Schäfer et al., 2013; Bogt et al., 2011). An intimate relationship then is formed between music and young people when moods and emotions are involved (Taruffi & Koelsch, 2014).

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The hypothesis for this construct is:

H4: Music and identity in young people (MIYP) has an impact on the influence of perceptions and identity in young people (IPIYP).

Music and emotions in young people (MEYP)

It is vastly known that emotions can activate different perceptions, especially when individuals are undergoing changes in personality (Koenig et al., 2007; Maslow, 1954), as it is the case of young people, therefore, attribution of personal meaning to lyrics comes from perception of different artists and other peers (Bogt et al., 2011). Besides, emotions created by music, as stated by (Sloboda & Juslin, 2001), can affect individuals both physically, for instance in pulse rate or skin conductance (Ménard et al., 2015), and psychologically, in the way that music lyrics, the same as films or video games can influence those exposed to it (Coyne et al., 2011), as media messages have been proven to influence perceptions, standards and beliefs (Bussey & Bandura, 1999). Consequently, music can affect the identity patterns by following emotional states (Hariri et al., 2000) that will be reflected in actions and values towards ourselves and other peers.

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The hypothesis for this construct is:

H3: Music and emotions in young people (MEYP) have an impact on the influence of perceptions and identity in young people (IPIYP).

Song lyrics today (SLT)

A study by the Lawrence Technological University revealed a significant change in song lyrics over the last few years, in the sense that they reflect more feelings of sadness or anger and they seem to have left the feeling of happiness behind (Napier & Shamir, 2018). Young people quickly engage with music and, as stated by Sánchez González (2020), the magnetism of music for young people encourages active participation in any field. Besides, “Music’s consoling effects were reported as resulting particularly from the sound and texture of the music itself, from attribution of personal meaning to music’s lyrics, and, to a lesser extent, from perceptions of closeness to artists and other listeners” (Bogt et al., 2011, p. 147)

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The hypotheses for this construct are:

H1: Song lyrics today (SLT) have an impact on the influence perceptions and identity in young people (IPIYP) and

H2: Music and emotions in young people (MEYP) have an impact on song lyrics today (SLT).

Influence in perceptions and sense of identity in young people (IPIYP)

The understanding of messages and meaning by means of music, which is linked to emotions, can stimulate learning (Do and Schallert, (2004), which in turn would have an impact on perceptions of people. These perceptions built from personal enriching experiences with music would turn into norm activation (Steg & de Groot, 2009), benefiting the surrounding world. Considering these statements, the following hypothesis can be formulated:

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H5: Music and identity in young people (MIYP) influence Music and emotions in young people (MEYP), which influence Song lyrics today (SLT) and has an impact on the Influence in perceptions and sense of identity in young people (IPIYP).

 3. METHODOLOGY

The main aim of this study was to find out the level of impact music lyrics have on perceptions of emotions and identity in young people; therefore, a series of tasks were first carried out to achieve that aim, including, literature review on ongoing general social changes caused by music, values nowadays, music preferences in young people and emotions during growth patterns. Also, a pilot questionnaire, given to 10 random students, was drafted and tested to ensure the suitability and understanding of the items proposed.

The variables Music and Identity (MI), Music and Perceptions (MP), Song Lyrics Today (SLT) and the Influence in Perceptions and sense of Identity in Young People (IPIYP) were drawn from the literature review (mainly papers, articles and books), with a parental/academic approach (see table 1).

Table 1. Variables and indicators used

Variables

Indicators

MIYP: Music and identity in young people

MIYP: Music to influence identity (Napier & Shamir, 2018); (Rentfrow & Gosling, 2003); (Taruffi & Koelsch, 2014); (Nicolás & Azorín (2013); (Roberts et al., 2009); (Kokkidou & Tsakiridou, 2009); (Bogt et al., 2011)

MEYP: Music and emotions in young people

MEYP: Arousal of emotions (Koenig et al., 2007);  (Bog et al., 2011); (Sloboda & Juslin, 2001); (Ménard et al., 2015); (Coyne et al., 2011); (Hariri et al., 2000)

SLT: Song lyrics today

SLT: Moods in lyrics (Napier & Shamir, 2018); (Sánchez González, 2020); (Bogt et al., 2011)

IPIYP: Influence in perceptions and sense of identity in young people

IPIYP: Music as an influencer (Do and Schallert, (2004); (Steg & de Groot, 2009)

Source: Own

Due to the characteristics of the study using tangibles as variables in the hypotheses, the quantitative method was chosen as it best fitted the nature of the research topic and size of the population sample. A simple structured questionnaire, as recommended by Hoinville and Jowell (1978), was used to ensure cooperation from the subjects. The questionnaire, based on The Likert-scale rating (1-5 response possibilities, being 1″strongly disagree” and 5 “strongly agree”) was used in order measure the degree of agreement or disagreement of the participants. Google forms was the application chosen to prepare the questionnaire, which was later sent by email to different university centres in Cáceres (Spain). The process took place in September of 2020 after receiving approval from academic boards. A total of 280 (n= 280) university duly responded. This type of participant was chosen mainly for the close connection young people have with music and trends of all sorts and the accessibility to music content they have through many a device. The research method chosen proved to be hassle-free and easily achievable.

The arrows in Figure 1 represent the path and emmerging process of the variables.

H1: Song lyrics today (SLT) have an impact on the influence perceptions and identity in young people (IPIYP).

H2: Music and emotions in young people (MEYP) have an impact on song lyrics today (SLT).

H3: Music and emotions in young people (MEYP) have an impact on music and identity in young people (MIYP).

H4: Music and identity in young people (MIYP) have an impact on the influence of perceptions and identity in young people (IPIYP).

H5: Music and identity in young people (MIYP) influence. Music and emotions in young people (MEYP) which influence Song lyrics today (SLT) and has an impact on the Influence in perceptions and sense of identity in young people (IPIYP).

Figure 1. Model designed

Source: Own

4. RESULTS

Data collected from responses was afterwards statistically analysed, assisted by Google questionnaires, and resulted in graphics, which were used for better understanding of numbers. Responses per item showing 50% and over indicate due embracement or acceptance of those.

Translation of question 1: “I feel identify with the lyrics of certain songs”.

Response 1: Figure 2 showcases significant percentages (Strongly agree 28.6% + Agree 43.6%= 72.20%) regarding the connection between song lyrics and the identity of the subjects. This corroborates the importance of lyrics (message) to feel identified.

Figure 2: Graphic showing responses to question 1

Source: Own [1]

Translation of question 2: “Song lyrics make me change the perception of certain aspects of life”.       

Response 2: Regarding the change in perception of certain aspects of life as a consequence of listening to song lyrics is shown on the graphic. Percentages are also significant (Strongly agree 27.1% + Agree 45%= 72.1%). The correlation between music and emotions then leading to change in perceptions.

Figure 3: Graphic showing responses to question 2

Source: Own

 Translation of question 3: “I remember songs by their lyrics”.     

Response 3: Figure 4 shows similar relevant percentages (Strongly agree 28.9% + Agree 43.9%= 72.8%) when subjects stated that songs were remembered by their lyrics. This result outlines the importance of meaningful lyrics to address issues of any nature.

Figure 4: Graphic showing responses to question 3

Source: Own

Two additional dichotomous questions (yes/no) were duly responded by all participants.

Question 4: ¿Crees que las letras musicales pueden reforzar tu personalidad y puntos de vista? Translation: ” Do you think music lyrics can reinforce your personality and points of view?”

Response 4: A very high number of participants agreed with this statement (269=96%).

Question 5: ¿Te motiva la música que te gusta a ser la persona que eres porque te sientes identificada con las letras? Translation “Does music you enjoy encourage you to be the person you are as you feel identified with the lyrics?”

Response 4: Once again, a relevant percentage of participants agreed (221=79%).

Although the materialisation of results requires a longer period of time to verify, these show similar perceptions are shared by a high percentage of subjects regarding the impact of music on their lives.

 5. -DISCUSSION AND CONCLUSIONS

Results provided an affirmative answer to the research question, as music lyrics have proven to be of relevance for young people and can definitely have an impact on their perceptions and sense of identity due to its bonding characteristic (Nicolás & Azorín (2013).

Perceptions and identity, affected by song lyrics, are main factors in the life of a young person and will guide their attitude in society, therefore the impact of music is significant as shown by percentages, confirming corroboration of past research conclusions regarding same variables (Bogt et al., 2010; Taruffi & Koelsch, 2014; Napier & Shamir, 2018).

Music as a influencer for perceptions (Do & Schallert, 2004; Steg & de Groot, 2009) must not be ignored, but exploited in all fields of knowledge. Besides, moods portrayed in lyrics (Bogt et al., 2011; Napier & Shamir, 2018) clearly show different perceptions of life.

Awareness for parties involved in the study and the fact that this study backs up past research are theoretical implications, however in this case, there is a more positive focus approach to try to take advantage of an instrument that can help build strong lasting relations based on emotions and identity patterns (Koenig et al., 2007). As practical implications, music can be used at any academic level to reinforce involvement of people.

Regarding the strengths of the study, the easiness for replication and the availability of participants to collaborate as music is a topic that everybody generally enjoys.

The main limitation was not being able to interview participants or introduce them to the topic in person due to the effects of Covid-19 pandemic, however, thanks to new technologies, the whole process was carried out online by means of a link to the questionnaire.

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For future lines of research, it would be recommendable to further explore explicit lyrics and impact on young people´s social values and standards.

In summary, results answered the research question positively and supported the hypotheses previously posed, demonstrating a correlation among the variables. In addition, the heterogeneity of students and similarity of responses is an indicator of the power of music lyrics, which may become a general guideline for future studies with similar intangible variables.

Four main conclusions can be drawn from the study:

  1. Song lyrics have the power to enhance emotions and reinforce identity factors in young people.
  2. Song lyrics can change perceptions of certain issues in life and consequently materialise in attitude change.
  3. The message in song lyrics becomes significant as it is in fact remembered and considered important for identity purposes.
  4. Emotions are a motivational factor in personality patterns entailing changes in perceptions.

References

Bogt, T., Mulder, J., Raaijmakers, Q.A.W., & Gabhainn, S.N. (2011). Moved by music: A typology of music listeners. Psychology of Music, 39 (2), pp. 147–163. Link

Bussey, K., & Bandura, A. (1999). Social cognitive theory of gender development and differentiation. Psychological Review, 106 (4), pp. 676-713. Link

Christenson, P.G., & Roberts, D.F. (1998). It´s not only Rock & Roll: Popular music in the lives of adolescents. New York: Hampton Press.

Coyne, S., Stockdale, L., Nelson, D., & Fraser, A. (2011). Profanity in media associated with attitudes and behavior regarding profanity use and aggression. Pediatrics, 128 (5), pp. 867-872. Link

Do, S.L., & Schallert, D.L. (2004). Emotions and classroom talk: Toward a model of the role of affect in students’ experiences of classroom ciscussions. Journal of Educational Psychology, 96 (4), pp. 619-634. Link

Hariri, A.R., Bookheimer, S.Y., & Mazziotta, J.C. (2000). Modulating emotional responses effects of a meocortical network on the limbic system. NeuroReport, vol. 11, Issue 1, pp. 43-48. Link 

Hoinville, G., & Jowell, R. (1978): Survey Research Practice. Londres: Heinemann Educational Books

Koenig, L., Mcgue, M., Krueger, R., & Bouchard Jr., T. (2007). Religiousness, Antisocial Behavior, and Altruism: Genetic and Environmental Mediation. Journal of personality, 75 (29), pp. 265-290. Link

Kokkidou, M. & Tsakiridou, H. (2009). An investigation of the framework of relations among language, music, and the advertised product in television commercials. International Journal of Learning, 16 (4), pp. 133-144. Link

Lawrence Technological University (2019). Popular music lyrics become angrier and sadder over time. ScienceDaily. Link

Maslow, A.H. (1954). Motivation and personality. New York: Harper & Row

Ménard, M., Richard, P., Hamdi, H., Daucé, B., & Yamaguchi, T. (2015). Emotion recognition based on heart rate and skin conductance. In Proceedings of the 2nd international conference on physiological computing systems, vol. 1: PhyCS, pp. 26- 32. Link

Napier, K., & Shamir, L. (2018). Quantitative Sentiment Analysis of Lyrics in Popular       Music. Journal of Popular Music Studies 30 (4), pp. 161-176. Link

Nicolás, G., & Azorín, C. (2013). Música y valores. Una relación educativa ineludible.      Música y educación: Revista trimestral de pedagogía musical, ISSN 0214-4786, Año 26, núm. 93, pp. 16-25.

Rentfrow, P.J., & Gosling, S.D. (2003). The do re mi’s of everyday life: The structure and personality correlates of music preferences. Journal of Personality and Social Psychology, 84 (6), pp. 1236-1256. Link

Roberts, D.F., Henriksen, L., & Foehr, U.G. (2009). Adolescence, adolescents, and media. In R. M.         Lerner & L. Steinberg (Eds.), Handbook of adolescent psychology: Contextual influences on     adolescent development, pp. 314-344. John Wiley & Sons, Inc. Link

Roberts, R. (2009). Unconditional love and spiritual virtues. Cambridge: University Press. Link

Saarikallio, S., & Erkkilä, J. (2007). The role of music in adolescents’ mood regulation. Psychology of Music, 35, pp.88-109. Link

Sánchez González, M.G. (2020). Adolescents and values portrayed in music nowadays. Multidisciplinary Journal for Education Social and Technological Sciences. 7 (2), pp. 45-60. Link

Schäfer, T., Sedlmeier, P., Städtler, C., & Huron, D. (2013). The psychological functions of music           listening. Frontiers in psychology, 4, p. 511. Link

Sloboda, J.A., & Juslin, P.N. (2001). Handbook of music and emotion: Theory, research, applications, pp. 605-642. Oxford University Press.

Sortheix, F., Parker, P., Lechner, C., & Schwartz, S. (2017). Changes in young Europeans’ values during the global financial crisis. Social Psychological and Personality Science, 10 (1), pp. 15-25.  Link

Steg, L., & de Groot, J. (2012). Environmental values. Oxford: Handbooks Online. Link

Taruffi, L., & Koelsch, S. (2014). The Paradox of Music-Evoked Sadness: An Online Survey. PlosOne, 9 (10), e110490. Link

Para contactar

María Gemma Sánchez González, email: sanchez_gemma@hotmail.com

[1] Meanings of colours: Blue (Strongly agree) Red (Agree) Orange (Neither agree or disagree) Green (Disagree) Purple (Strongly disagree)

Fecha de recepción del artículo: 11/01/2021
Fecha de aceptación del artículo: 25/01/2021